Eto Otitigbe is a polymedia artist who sets alternative narratives into motion; creating spaces for unique experiences. His interdisciplinary practice includes sculpture, performance, installation, and public art.
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Tom Overton is a writer and and Archive Curator/Postdoctoral Fellow at the Barbican Centre, London. As part of an AHRC-Funded PhD between the British Library and the Centre for Life-writing Research, King's College London, he catalogued the archive of the writer and artist John Berger (1926-2017), and curated a conference, free school and exhibition at Somerset House, London, to mark the 40th Anniversary of Berger's collaborative TV series and book Ways of Seeing (1972) and Booker-winning novel G.
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An Paenhuysen is a freelance writer, curator, and arts educator. She wrote her Phd about the cultural criticism of the Belgian avant-garde artists in the 1920s. As a post-doc An has been working on 1920s photography at Columbia University New York, UC Berkeley, and the Humboldt-University Berlin.
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Laura Parke is a Lecturer in Graphic Design and Illustration at the Liverpool School of Art and Design, Liverpool John Moores University. She studied Graphic Design at the University of the West of England before completing an MA in Graphic Arts.Her practice-based research focuses on Design for Social Engagement and discusses issues of inclusion through collaborations and interactions with a range of practitioners, individuals, collectives and social groups.
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Ece Pazarbaşı works and walks on the merged borderline of curatorial practice and artistic research as her main profession. With her special interest in alternative education, she takes parts in various educational bodies in different positions.
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Nicholas Phillips, Programme Leader Drama, DRAMA, Liverpool John Moores University
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Born in Venezuela and based in Porto, Portugal with a background in theatre, Daniel Pinheiro has been exploring, among others, the concept of Telematic Art, using video as a tool and the internet as a platform, merging both languages into a single object of expression. In this field he aims at reflecting on the impact of technology on everyday life and the environment of the Internet as a reflection of a world where the abstract nature of this transmedia movement changes the notions of space, presence, privacy and identity.
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Simon Pope’s art practice is preoccupied with participatory art’s engagement with new materialism and concepts of the more-than-human.
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Dr Zoran Poposki, FRSA is a multi-award-winning transdisciplinary artist, filmmaker, and curator based in Hong Kong. Poposki explores cultural translation, liminality, identity, and public space through digital art (including AI and NFT art) combined with painting, drawing, photography, (post-digital) printmaking, performance art, video, film, curating, art education, and publishing.
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Ernesto Pujol is a queer eco-cultural worker in the post-democratic age of extinction. He socially choreographs durational performances as psychic portraits of peoples and places under threat. Pujol creates aesthetic, meditative, meditative experiences crafted with elements of walking and stillness, silence and minimal gestures.
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Eve Provost Chartrand earned an MFA at the University of Calgary in Canada and is now a PHD candidate both at Transart Institute and Liverpool John Moores University. Her current work investigates the nature of women’s negative body representations associated with aging. Her visual iterations explore the implications to self-identity and agency of current negative body definitions in women’s lives through the implementation of creative case studies.
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