Posts tagged docufiction and creative writing
Jean Marie Casbarian
Jean Marie Casbarian

Jean Marie Casbarian (b. Aberdeen, MD) is an interdisciplinary artist who works across photography, video, sound, writing and performance. She holds an MFA from Milton Avery School of Art at Bard College, New York (2000) and a BFA from the University of Colorado at Denver (1987). Her artistic practice lies in her interests around the reinterpretation of memory, personal fictions, migratory space and the essence of time. Along with exhibiting her works throughout the United States, Europe, Central America and Asia, Casbarian has received a number of awards and artist residencies including the Lower Manhattan Cultural Council, Louis Comfort Tiffany Foundation nomination, The LaNapoule Foundation Grant in LaNapoule, France, the Chicago Artist's Assistance Project Grant, an Associateship with The Rocky Mountain Women's Institute and has been a Research Associate with Five Colleges, Inc (Amherst, MA).

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TT 2 (c-d), All 2 (c-e)--docufiction and creative writing, expanded studio practices, experimental pedagogies, foreignness, otherness, international diaspora and exiled states, language and image, liminal states, interstices, spacetime, memory, forgetting, trauma and the archive, photography, video, writing, sound and performance, interdisciplinary installation
Laura Gonzalez
Laura Gonzalez

Laura González is an artist, writer, yoga teacher and an Athenaeum Research Fellow at the Royal Conservatoire of Scotland. She is also faculty at Transart Institute. When she is not following Freud, Lacan and Marx’s footsteps with her camera, she teaches art and psychoanalysis at various institutions in Europe and the US. She creates intimate durational performances for galleries and festivals, including Unfix, Buzzcut, Glasgow Open House and Market Gallery, and, in 2019, her work was shortlisted for the Adrian Howells Award for Intimate Performance.

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ALL 3 (f-h), TT 3 (e-n)--docufiction and creative writing, expanded studio practices, foreignness, otherness, language and image, liminal states, interstices, spacetime, memory, forgetting, trauma and the archive, movement, dance, choreography, publishing as an art practice, walking as an art practice, interdisciplinary practice, performance, writing, painting, photography, installation, video
Estelle Hoy
Estelle Hoy

Estelle Hoy is a writer and academic based in Berlin. She completed her Phd in Contemporary Feminist Experimental Literature (New Narrative). She's lectured at The Victorian College of the Arts, The University of Melbourne, Freie Universität Berlin, Goldsmiths, Bard College, Parsons Paris, The New School, Université Paris-Sorbonne and Institut d'Etudes Politiques (Sciences Po) Paris.

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ALL 3 (f-h), Guest (a-j)--curatorial practices, docufiction and creative writing, experimental pedagogies, language and image, feminist writing, socially engaged art, marginalised and vulnerable communities, refugee, asylum seeker, new prison release, homeless, mental illness, creative non-fiction, new narrative writing, critical theory
Paula Kramer
Paula Kramer

Paula Kramer is an artist-researcher and movement artist based in Berlin. She holds a practice-as-research PhD in Dance (Coventry University) and was a post-doctoral researcher at Uniarts Helsinki between 2016 and 2019. She is currently active as an independent artist-researcher and until the end of 2020 as a visiting researcher at the Centre for Artistic Research of Uniarts Helsinki.

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ALL 4 (I-L), TT 3 (e-n)Guest Userdocufiction and creative writing, ecology and environmental activism, expanded studio practices, experimental pedagogies, movement, dance, choreography, new materialism, object-oriented ontology, publishing as an art practice, space and temporary architecture, walking as an art practice, intersectionality/feminist art-life practice
Freek Lomme

Freek Lomme works as professional curator and editor in the field of art, design and social practice since 2003. He is founding director of public gallery and publisher Onomatopee as well as a freelance curator, lecturer, moderator and writer.

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TT 3 (e-n)Guest Userart and social technologies, curatorial practices, docufiction and creative writing, expanded studio practices, experimental pedagogies, home, nostalgia and the uncanny, language/image, media and design, memory, forge, trauma and the archive, peace, mediation and performative activism, post-colonialism, post-nationalism, publishing as an art practice, sound, music, field recordings, composing, space and temporary architecture
Thomas Mical
Thomas Mical

Prof. Dr. Thomas Mical is Professor of Architectural Theory. Previously a tenured faculty in the US, Canada, Australia, and New Zealand, and he has taught and lectured internationally. His research crosses architectural theory, media-philosophy, design research methods. He edits the book series Architectural Intelligences (Brill).

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ALL 5 (m-p), TT 3 (e-n)Guest Userdocufiction and creative writing, ecology and environmental activism, expanded studio practices, experimental pedagogies, foreignness, otherness, home, nostalgia and the uncanny, liminal states, interstices, spacetime, space and temporary architecture
Bert de Muynck
Bert de Muynck

Bert de Muynck [Belgium, 1977] is an architect, writer, lecturer and co-director of MovingCities. He holds a MA Architectural Engineering [Catholic University Leuven, BE] and a GAS Cultural Sciences [Free University Brussels, BE]. He is a prolific public speaker, writer and has lived and worked in Amsterdam [NL, 2001-06], Beijing [2006- 09], Shanghai [2009-2018] and is now based in Lisbon.

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All 2 (c-e), TT 2 (c-d)Guest Usercuratorial practice, docufiction and creative writing, foreignness, otherness, space and temporary architecture, walking as an art practice, urban psychology, city awareness
Tom Overton
Tom Overton

Tom Overton is a writer and and Archive Curator/Postdoctoral Fellow at the Barbican Centre, London. As part of an AHRC-Funded PhD between the British Library and the Centre for Life-writing Research, King's College London, he catalogued the archive of the writer and artist John Berger (1926-2017), and curated a conference, free school and exhibition at Somerset House, London, to mark the 40th Anniversary of Berger's collaborative TV series and book Ways of Seeing (1972) and Booker-winning novel G.

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ALL 5 (m-p), TT 4 (o-z)Guest Userpublishing as an art practice, post-nationalism, post-colonialism, memory, forgetting, trauma and the archive, language and image, home, nostalgia and the uncanny, docufiction and creative writing, foreignness, otherness, art and social technologies, curatorial practices
Kim Schoen
Kim Schoen

Kim Schoen (b. 1969, Princeton) lives and works in Los Angeles and Berlin. She received an MFA from CalArts in 2005, and a Master of Philosophy from the photography department at The Royal College of Art in London in 2008. Her work in photography and video installation has shown at numerous institutions and galleries worldwide including LACMA, MoCA, The Los Angeles Museum of Art (LAMOA), Richard Telles Fine Art, Young Projects, Moskowitz Bayse, LM Projects, and LAXART in Los Angeles; MMoCA (Madison Museum of Contemporary Art), BAM, Brooklyn, NY; The South London Gallery, Whitechapel Gallery, MOT International in London, Museum of Contemporary Art of Rome; Museo de Arte Moderno y Contemporaneo, Spain; Archive Kabinett, Kunstverein Springhornhof, Kleine Humboldt Galerie, and Edith Russ Haus für Medienkunst.

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ALL 7 (s-t), TT 4 (o-z)--docufiction and creative writing, language and image, media and design, publishing as an art practice, rhetoric, Video installation, photography